I was born in the south of France and am now living and working in Stockholm, Sweden. I studied at Konstfack University College of Arts, Crafts and Design.

My work explores how tacit knowledge held in craft traditions moves through themaking into the object, and from there, into connection with whoever meets it.

My work explores how textile craft traditions moves through the making into the object, and from there into whoever meets it. I work with printing and dyeing techniques that demand patience, repetition and touch, methods that can only be learned by staying with something longer than feelscomfortable.
How something is made matters more to me than how it looks. The method shapes what attention becomes possible, what labour is valued, what knowledge survives. Working slowly is not nostalgia to me. It's a position, one I have to keep choosing, in a life that otherwise runs on efficiency.
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I recognise that same state elsewhere. In the body, deep into repetitive work. On the dance floor, in collective movement through the night. Endurance and rhythm as a way of being together — a kind of total presence that has nothing to prove.

Teaching has never been separate from this. Twenty years of it, and counting. Passing on a technique, or a thought, means passing on something that can't only be written down — it must be shown, repeated, shared. That transmission is where most of the meaning actually lives, for me.
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What interests me most is the moment knowledge moves. From the making into the material. From one pair of hands to another. From the object to whoever meets it.

I specialise in textile screen printing and natural dyeing techniques that generate pattern.
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I ressearch on how historical practices — largely abandoned when synthetic dyes took over — might be rethought for a sustainable future, and what they still have to teach us about attention, labour and time.
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The work takes the form of installations, exhibitions, public commissions. I also give lectures on my research and practice, alongside private commissions and consultation. I'm Senior Lecturer and Head of Programme at the Textile Craft department at Konstfack.